He has a corporate gig (with Jesse Eisenberg giving a fidgety performance as his boss), a loving wife (Kate Bosworth), a dark-haired toddler and an apartment with gallery-size walls, the better to display Native-themed artwork. Played by Michael Greyeyes, he has a chiseled beauty. The first time we see the adult Makwa, heвЂ™s setting up a shot on a golf course.

He tells his young audience that it was the story of Cain and Abel, with its lessons in suffering and worthiness, that вЂњintroduced resentment into the world.вЂќ The arbitrary violence endured by Makwa doesnвЂ™t make sense until a priest at the boysвЂ™ school delivers a homily. While MakwaвЂ™s home is far more brutal, both boys live in poverty, with empty beer bottles crowding tabletops. This more-than-cautionary note sets the tone for the First Nations writer-director Lyle Mitchell Corbine Jr.вЂ™s symbolically rich and subtle thriller focused on two cousins who share a secret about a rending act of violence.ДЄs boys on a Wisconsin reservation, the cousins, Makwa and Teddo, have lives that are different by degrees. вЂњLittleвЂќ is an understatement: His face is covered with pox blisters. The camera finds a man stooped and slowly making his way through the woods and follows him for a spell. вЂњSome time ago, there was an Ojibwe man, who got a little sick and wandered West,вЂќ the intertitle at the start of вЂњWild IndianвЂќ states.

Individual indian monies